Thomas Smith（トーマス・スミス）は、オーストラリアのエオラ/シドニーを拠点に活動するアーティスト、ミュージシャン、教育者、研究者です。彼の実践は、パフォーマンス、ビデオ、電子音楽、スペキュレイティブ・フィクション、ウェブサイト、キュレーションプロジェクト、批評的な執筆を組み合わせたものです。トーマスの作品は、計算システムが社会に与える影響、創造的経済の政治、新たに生まれるデジタル主体性、そして電子音楽を批評的・美学的探究の手法として取り上げています。
また、彼はプロダクションデュオ「Utility」のメンバーの一人であり、ジャレッド・ビール（DJ Plead）やジョン・ワッツとともに、インディペンデントレコードレーベル「Sumactrac」を運営しています。
Thomas Smith
Thomas Smith is an Eora/Sydney based artist, musician, educator and researcher. His practice combines performance, video,
electronic music, speculative fiction, websites, curatorial projects and critical writing. Thomas’ work is concerned with the social
effects of computational systems, the politics of creative economies, emerging digital subjectivities and electronic music as a mode
critical-aesthetic inquiry. Thomas is also one half of production duo Utility, and runs an independent record label called Sumactrac
with Jarred Beeler (DJ Plead) and Jon Watts.
Thomas’ works have been exhibited and/or performed at institutions such as the Museum of Contemporary Art (Sydney), Sarai
Centre for the Study of Developing Societies (SCSDS), Serendipity Arts Festival (Goa), Unsound Festival (Poland), Fondation
Fiminco (Paris), Australian Centre for Contemporary Art (Melbourne), ADM+S Annual Symposium (Melbourne), Biennale of
Sydney 2022, National Gallery of Victoria (Melbourne), Central Academy of Fine Arts (Beijing), Nasjonalmuseet (Oslo), Floating
Projects (Hong Kong), Avantwhatever Festival (Melbourne), Goldsmiths College (London), Firstdraft Gallery (Sydney), Queensland
University Art Museum (Brisbane), Alaska Projects (Sydney) and Blindside Gallery (Melbourne). Thomas’ writing has been published
in Realtime Magazine, Runway Journal, Un Magazine and Chicago based Plates Journal.
https://t-morimoto.com/
https://www.instagram.com/t__morimoto/
https://soundcloud.com/tmorimoto